出版物
2024 – 2011 (精选的)
- Rita Cedrini, ‘L'antropologia nell'architettura di Antonino Cardillo’, La camera dello scirocco, dir. Giovanni Paterna, Accademia di Belle Arti Michelangelo di Agrigento, Palermo, 8 May 2024, pp. 5, 49‑55.
- Liliana Adamo, ‘FAKEcollage. Non credo ai miei occhi!’, Dossier Collage, cur. Fabio Cappello, Rossella Ferorelli, Luigi Mandraccio, Gian Luca Porcile, Università di Genova, July 2022, pp. 35, 39.
- Kirsten Wenzel, ‘Der Architekt als Maerchenerzaehler’, competitionline.com, Berlin, 17 Jan. 2019.
- Jeanette Kunsmann, Stephan Burkoff, ‘Architektur und Wahrheit’, DEAR Magazin, no. 1, Berlin, April 2017, pp. 68‑85. baunetz-id.de
- Carolin Höfler, ‘Hyper desire’, paper presented to the Wunsch, Technische Hochschule Köln, Cologne, 1 June 2016.
- Carolin Höfler, ‘Modelle in Wirklichkeit. Die digitalen Bildversprechen von Antonino Cardillo’, paper presented to the Constructed Realities, ed. Chris Dähne, Frederike Lausch, Bettina Rudhof, Goethe‑Universität, Deutsche Architekturmuseum, Frankfurt am Main, 1 Dec. 2015; transcript published on antoninocardillo.com, 24 Apr. 2022.
- Antonino Cardillo, ‘Faked Reality’, paper presented to the Constructed Realities, ed. Chris Dähne, Frederike Lausch, Bettina Rudhof, Goethe‑Universität, Deutsche Architekturmuseum, Frankfurt am Main, 1 Dec. 2015; transcript published on antoninocardillo.com, 12 May 2021.
- Urs Honegger, ‘Shame on you, Designboom’, hochparterre.ch, Zurich, 25 Nov. 2013.
- Danny Hudson, ‘Antonino Cardillo rewrites history with the Purple House’, designboom.com, Milan, 16 Nov. 2013.
- Andrea Chiu, ‘The memories within architecture’, Ravenel, no. 6, Taipei City, Aug. 2013, pp. 70‑73.
- Gerard Houllard, ‘Über die mediatisierte Repräsentation von Architektur’, IACSA Newsletter, vol. 4, no. 1, International Association for Cultural Studies in Architecture, Basel, May 2013, pp. 8‑11.
- Hubertus Adam, ‘Analog/Digital’, S AM, no. 10, Schweizerisches Architekturmuseum, Basel, March 2013, pp. 19, 28.
- Birgit Ochs, ‘Architekturentwürfe: Es möchte echt sein’, Sonntagszeitung, no. 6, Frankfurter Allgemeine Zeitung, Frankfurt am Main, 10 Feb. 2013, p. V9.
- Stefano Mirti, Gioia Guerzoni, ‘Siamo specchi l'uno dell'altro’, Opere, no. 32, Florence, Oct. 2012, pp. 4, 52‑56.
- Daniel Lordick, ‘Die Entkoppelung von Entwurf und Darstellung’, Competition, no. 2, Berlin, Oct. 2012, p. 78.
- Carl Zillich, with Fabrizio Gallanti, Lars Krückeberg, Volkwin Marg, Wolfram Putz, Peter Reischer, Andreas Ruby, Tobias Walliser, Thomas Willemeit, ‘Causa Cardillo: "Geht's noch ohne Hochstapelei?"’, bkult.de, Berlin, 10 Sept. 2012.
- Peter Reischer, ‘Grandiose Luftschlösser’, Am Sonntag, no. 32, Neue Zürcher Zeitung, Zurich, 5 Sept. 2012, p. 35.
- Christian Holl, ‘Alles nur gerendert – und jetzt?’, german-architects.com, Stuttgart, 29 Aug. 2012.
- Gabriele Detterer, ‘Phantasie und Wirklichkeit’, Neue Zürcher Zeitung, no. 164, Zurich, 17 July 2012, p. 40.
- Eleonora Carrano, ‘Il caso Cardillo: uno dei 30 architetti più importanti del mondo e l'architettura inesistente’, amatelarchitettura.com, Rome, 13 July 2012.
- Alessandro Alviani, ‘Cardillo, l'architetto delle case inesistenti’, La Stampa, vol. 146, no. 182, Turin, 3 July 2012, p. 37.
- Susanne Beyer, ‘Hochstapler: Römische Ruinen’, Der Spiegel, no. 27/12, Hamburg, 2 July 2012, pp. 3, 121‑123.
- Peter Reischer, ‘Schöner Klonen’, Falter, no. 19/12, Vienna, 9 May 2012, pp. 30‑31.
- Antonino Cardillo, ‘Purple House’, L4_House Design, A&C Publishing, Seoul, 2012, pp. 102‑107.
- Antonino Cardillo, ‘L'architettura: da racconto a atto interpretativo’, Inside Quality Design, no. 26, Milan, Feb. 2012, pp. 102‑107.
- Haizhen Geng, ‘对抗之美——印象派建筑师’, Interior Architecture of China, Beijing, Nov. 2011, pp. 32‑35.
- Antonino Cardillo, ‘Taking a position’, build Das Architekten-Magazin, no. 5/11, ed. Ralf Ferdinand Broekman, Olaf Winkler, Wuppertal, Oct. 2011, pp. 48‑49.
- Devyani Jayakar, ‘Purple House’, Inside Outside, no. 315, Mumbai, Sept. 2011, pp. 144‑151.
- Antonino Cardillo, ‘The colour purple’, worldarchitecturenews.com, ed. Siân Disson, London, 23 June 2011.