Since the Etruscan tombs, even before appearing as a structural element in the history of architecture, the arch derived its figure from the Phallus. Inspired by the Egyptian god of fertility, the series of seven Min sculptures exhibited at Sir John Soane’s Museum investigate the origin of the sacred.
The transition from the circle to the square has always been a fundamental theme of architecture. Min resolves the passage from the parallelepiped to the sphere through the intersection of the two solids, identifying a monolith with four arched sides and a hemispherical dome.
The formal result of Min is also reminiscent of the canopies of John Soane and the later Red Telephone Box, the London kiosks designed by Giles Gilbert Scott who, in turn, took inspiration from the Soane family tomb in cemetery of St Pancras Old Church.
Dionysian Mysteries were a ritual of ancient Greece and Rome. These rites were often associated with women. They involved liberation from civilization’s rules and constraints. They celebrated a return to the source of being. They also involved escape from the socialized personality and ego into an ecstatic, deified state or the primal herd. Such activity has been interpreted as fertilizing, invigorating, cathartic, liberating and transformative. Many devotees of Dionysus were those on the margins of society: women, slaves, outlaws and foreigners. All were equal in a cult that inverted their roles. Festivals were orgies of wine and sex: over all reigned the Phallus.
Wikipedia, accessed Nov. 2013.