Cardillo

Colour as a Narrative

Illuminum Perfume Gallery

LONDON, UK — 27 April 2015

EN   IT


Behind a portal on a Georgian street in London, lives a small grey grotto. Its rugged walls, imprinted with gestures of the mason’s trowel reveal the eroticism which was conveyed in the act of construction by the ancients.


Antonino Cardillo, Colour as a Narrative, Illuminum Fragrance, London, 2015, demolished in 2017. Photography: Antonino Cardillo

The pozzolanic ash echoes the volcanic topography from where it was quarried. As ‘chambers of light’ the three tall openings facing the street orchestrate the light and shadow.


Antonino Cardillo, Colour as a Narrative, Illuminum Fragrance, London, 2015, demolished in 2017. Photography: Antonino Cardillo

Onto a rough wall:
the backdrop for a sweeping semi-circle of thirty-seven irregular glass forms each suspended by a black thread.


Antonino Cardillo, Colour as a Narrative, Illuminum Fragrance, London, 2015, demolished in 2017. Photography: Antonino Cardillo

Enclosed are colours.
Invisible colours revealed only by the nose.


Antonino Cardillo, Colour as a Narrative, Illuminum Fragrance, London, 2015, demolished in 2017. Photography: Antonino Cardillo

Antonino Cardillo, Colour as a Narrative, Illuminum Fragrance, London, 2015. Photography: Antonino Cardillo



Data

Time: May 2014–Apr. 2015; demolished in 2017
Place: Illuminum Fragrance, 41 Dover St, Mayfair, London, UK
Area: 27 m² (1 storey)
Typology: shop




Credits

Client: Illuminum Fragrance (via Suzanne Trocmé)
Architecture design and construction management: Antonino Cardillo
Glass design: Asakala Geraghty
Photography: Antonino Cardillo
Text: Antonino Cardillo
English translation: Antonino Cardillo, Morgan Ferrar, Asakala Geraghty

Construction company: Italian Art Design Ltd.
Masonry: Adrian Paiunui Mihai, Fabio Di Monte, Gianmarco Di Monte
Carpet: Natural Elements Flooring
Glass production: Elliot Walker

Thanks to Paolo Bedetti, Anna Marra, Paula O’Brien




References

ANTONINO CARDILLO, ‘A synchronicity of cultures and civilisations’, paper presented to the Dessauer Gespräche, ed. Johannes Kister, Hochschule Anhalt, Dessau Institute of Architecture, 13 Nov. 2019.

ANNIE CARROLL, ‘Our top three favourite works by architect Antonino Cardillo’, atelierlumira.com, Sydney, 22 Jan. 2018.

ANTONINO CARDILLO, ‘Vaults, grottoes, arches and polychromy’, paper presented to the Heinze ArchitekTOUR Kongress, STATION-Berlin, Berlin, 23 Nov. 2017.

MRINALINI GHADIOK, ‘Elemental’, Mondo*Arc India, no. 15, New Delhi, July 2017, pp. 10, 50–51, 56–57.

JEANETTE KUNSMANN, STEPHAN BURKOFF, ‘Architektur und Wahrheit’, DEAR Magazin, no. 1, Berlin, Apr. 2017, pp. 72.

SIPANE K-HOH, ‘L’architecture est un songe’, detailsdarchitecture.com, Paris, 28 Nov. 2016.

HOUDA JEOUAL, ‘L’odorat en architecture’, in Au-Delà du Regard, thesis, Ecole d’Architecture de Casablanca, Sept. 2016, pp. 68–69.

ANONYMOUS, ‘Inside-out retail’, in How We Shop Now What’s Next?, Westfield, London, Jan. 2016, p. 28.

PHILIPPA STANTON, ‘Saturday…with scented reflections’, 5ftinf.com, London, 31 Oct. 2015.

ANONYMOUS, ‘Luxury futures showcase 2015’ [video], The Future Laboratory, LS:N Global, London, 16 Sept. 2015.

ACHIM MEISSNER, ‘Betörende Schlichtheit’, Handelsjournal, no. 9/15, Düsseldorf, Sept. 2015, pp. 6–7.

JESSICA COOPER, ‘Illuminum: a shop with no products in sight’, Eclectic, no. AW15, Paris, Sept. 2015, pp. 160–161.

ALEX JORDAN, ‘Primordial perfume’, LS:N Global, London, 15 May 2015.

EMMA MOORE, ‘Colour as a narrative: perfume brand Illuminum explores realm of scent through architecture’, wallpaper.com, London, 13 May 2015.

ANNA WINSTON, ‘Antonino Cardillo combines scent and texture for Illuminum Fragrance shop interior’, dezeen.com, London, 6 May 2015.