Cardillo

Antonietta Iolanda Lima

Palermo,  – 

Architect, historian and activist, Antonietta Iolanda Lima introduces Antonino Cardillo to architecture as a total experience, intertwining research, design, graphic representation and photography

Introduction

Architect, historian, critic and activist, Antonietta Iolanda Lima (Palermo, 1941) has spanned more than half a century of Italian architectural culture with a holistic and deeply humanistic approach. Since the 1960s, her research has interwoven design, teaching and civic engagement, placing the human being and the landscape at the centre as inseparable entities. As Professor of History of Architecture and History of Landscape at the University of Palermo, she promotes an idea of the discipline that is free, democratic and creative, capable of transcending boundaries and engaging with history to identify enduring processes and values.

Between 1993 and 1998, for Antonino Cardillo she is not merely a lecturer, but the figure who introduces him to architecture as a total experience: From the critical reading of sources to graphic representation, from photographic composition to editorial layout. During those years, Cardillo lives within the spaces designed by Lima—true cultural texts through which he breathes the spirit of the 1960s and 1970s and gains direct experience of space and light. He often photographs these environments at sunset, when light transforms the architecture and reveals new nuances—a practice that becomes an integral part of his formation. Through his participation in the master’s projects and research, he experiments with a method in which drawing, word and image converge in a single creative act.

Lima imparts to her pupil a vision in which building also means understanding and transforming culture. Her intellectual integrity—nourished by constant attention to history, the nature of materials, light and the ethical dimension of design—helps shape in Cardillo a sensibility capable of combining rigour and imagination.

In her relationship with Cardillo, Lima embodies the role of mentor in the fullest sense: Not only transmitting knowledge, but fostering a critical and creative attitude that finds expression in shared scientific contributions, in experiences of graphic and photographic representation, and in a conception of architecture as a universal language—capable of speaking to humanity and transforming the way we inhabit the world.

, antoninocardillo.com, 13 Sept. 2025.

Research

1995 – 2006

During his training with Antonietta Iolanda Lima, Antonino Cardillo contributes to the production of numerous publications by the professor, providing research, layout, drawing and photography. The dates indicated refer to the time span of the published works, some of which appear after the conclusion of the formative period

  • , Lo Steri di Palermo nel secondo Novecento: dagli studi di Giuseppe Spatrisano al progetto di Roberto Calandra con la consulenza di Carlo Scarpa, Dario Flaccovio, Palermo, 2006; phot. Antonino Cardillo.
  • , Architettura e urbanistica della Compagnia di Gesù in Sicilia: fonti e documenti inediti, secoli XVI – XVIII, Novecento, Palermo, 2001, pp. 529; layout/draw. Antonino Cardillo.
  • , Paolo Soleri: architettura come ecologia umana, Jaca Book, Milan, 2000, pp. 408; Monacelli Press, New York, 2003, pp. 408; layout Antonino Cardillo.
  • , Frank O. Gehry. American Center, Parigi, Testo & Immagine, Turin, 1998, pp. 93; layout/draw. Antonino Cardillo.
  • , Le Corbusier, Dario Flaccovio, Palermo, 1998, pp. 150; layout/draw. Antonino Cardillo.
  • , Palermo: struttura e dinamiche, Testo & Immagine, Turin, 1997, pp. 408; layout/draw. Antonino Cardillo.
  • , Alle soglie del 3° millennio sull’architettura, Dario Flaccovio, Palermo, 1996, pp. 177; layout Antonino Cardillo.
  • , ‘’, L’architettura. Cronache e storia, no. 499/500, dir. Bruno Zevi, Rome, 1995, pp. 228‑241; phot. Antonino Cardillo.
  • , Storia dell’architettura, Sicilia, Ottocento, Dario Flaccovio, Palermo, 1995, pp. 239; layout Antonino Cardillo.
  • , Architettura del ‘400: S. Crescenza nel territorio di S. Vito Lo Capo, architettura nel paesaggio, Ila Palma, Palermo, 1995, pp. 75; layout Antonino Cardillo.

Photography

1995

During his formative years with Antonietta Iolanda Lima, Cardillo photographs the projects she realised in Palermo between 1972 and 1982—images later published in the journal L’Architettura–Cronache e Storia, edited by Bruno Zevi

Lima-Miceli Apartment

Palermo, 1971 – 1974

Lima-Miceli Apartment Lima-Miceli Apartment Lima-Miceli Apartment

Antonietta Iolanda Lima, Lima-Miceli Apartment, Via Arimondi, Palermo, 1971 – 1974. Photography: Antonino Cardillo, 1995

Miceli Wine Shop

Palermo, 1974

Miceli Wine Shop

Antonietta Iolanda Lima, Miceli Wine Shop, Palermo, Via Streva, 1974. Photography: Antonino Cardillo, 1995

La Scuderia Restaurant

Palermo, 1974, 1978

La Scuderia Restaurant La Scuderia Restaurant

Antonietta Iolanda Lima, La Scuderia Restaurant, Viale del Fante, Palermo, 1974, 1978. Photography: Antonino Cardillo, 1995 / Lima Archive.

Via Ariosto Apartment

Palermo, 1976

Via Ariosto Apartment

Antonietta Iolanda Lima, Apartment, Palermo, Via Ariosto, 1976. Photography: Antonino Cardillo, 1995

Lima-Miceli Villa

Palermo, 1979 – 1982

Lima-Miceli Villa Lima-Miceli Villa Lima-Miceli Villa

Antonietta Iolanda Lima, Lima-Miceli Villa, Palermo, Fondo Anfossi, 1979 – 1982. Photography: Antonino Cardillo, 1995

Source

  • , ‘Antonietta Iolanda Lima: architetture’, L’architettura. Cronache e storia, no. 499/500, dir. Bruno Zevi, Rome, 1995, pp. 228‑241; phot. Antonino Cardillo.