Lima-Miceli Apartment
Palermo, 1971—1974
Antonietta Iolanda Lima, Lima-Miceli Apartment, Via Arimondi, Palermo, 1971‑1974. Photography: Antonino Cardillo, 1995
La Scuderia Restaurant
Palermo, 1974, 1978
Antonietta Iolanda Lima, La Scuderia Restaurant, Viale del Fante, Palermo, 1974, 1978. Photography: Antonino Cardillo, 1995 / Lima Archive.
Viaggeria Vitale Store
Palermo, 1975
Antonietta Iolanda Lima, Viaggeria Vitale Store, Palermo, Via Notarbartolo, 1975. Photography: Lima Archive.
Miceli Winehouse
Palermo, 1974
Antonietta Iolanda Lima, Miceli Winehouse, Palermo, Via Streva, 1974. Photography: Antonino Cardillo, 1995
Apartment
Palermo, 1978
Antonietta Iolanda Lima, Apartment, Palermo, Via Ariosto, 1978. Photography: Antonino Cardillo, 1995
Lima-Miceli House
Palermo, 1979‑1982
Antonietta Iolanda Lima, Lima-Miceli House, Palermo, Fondo Anfossi, 1979‑1982. Photography: Antonino Cardillo, 1995
Article
By Antonietta Iolanda Lima
I think that architecture should speak to people. It has succeeded when every single person manages to live within the space that it creates in complete ease. People use the space, they feel that they can attribute values to it. They even discover things they did not know and question others, they themselves become subject to scrutiny and their own individual experiences gradually cause them to become aware of what ‘space’ is and to experience its physicality and irrationality. They thus become aware of its meaning through the use, on separate occasions or contemporaneously, of highly communicative objects, loaded with meanings, with an enormous, even astounding power — as Raymon Carver said when talking of the capacity language must possess when describing common things. In embodying the function which merely provides the raison d’être, they make it desirable. Through a hardly won experimentation, architect expresses the people’s needs artistically.